Fragmented Frequencies April 2016


Right now it is ridiculous how much great music is out there. Locally we’ve got Melbourne avant hip hop outfit Curse Ov Dialect’s first album in 6 years, a frenetic culturally harmonious word splatter called Twisted Strangers, and Necks pianist Chris Abrahams’ remarkable solo album that veers between, synth and piano, textural chaos and sublime beauty, it’s called Fluid to the Influence (Room40). There’s Stina Tester and Cinta Masters with their catchy electro synth post punk debut Awake and Dreaming (Listen). Further afield UK weirdo Dean Blunt debuts his electronic project Babyfather, which destroyed minds at Unsound Adelaide earlier this year. Babyfather hosted by DJ Escrow (Hyperdub) is equal parts annoying and genius – possibly the album of the year. Adrian Sherwood is the master at the controls for cult Japanese trio Nisennenmondai’s NA (On U Sound) who provide hypnotic repetitive motorik rhythms that are almost anti music, bordering on rhythmic sound art or raw techno – a genuinely odd yet beguiling release. Canadian Tim Hecker has dropped Love Streams (4AD/Remote Control), where he has reprocessed, distended and manipulated the Icelandic Choral Ensemble, telling them to imagine they were Chewbacca with a saxophone who just drank 8,000 litres of codeine. Konono No1 meets Batida (Crammed) electronically treats, splices and dices the likembe (thumb piano) masters, with the Angolan/ Portuguese producer taking proceedings to the dancefloor, whilst kingpin of Lisbon’s underground electronic scene, DJ Marfox offers a raw banging new EP Chapa Quente (Principe). Overwhelmed yet? That’s not half of it.


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