Fragmented Frequencies Feb 2012

Womadelaide is just around the corner and reasons to visit the spiritual home of Coopers include paraplegic street musicians Staffa Benda Bilili who live and play around the zoo gardens in Kinshasa in their hotted up tricycles, legendary touareg guitar warriors Tinariwen, who’s most recent album Tassili was recorded outdoors in the Saharan desert, and Senegalese legend Baaba Maal. Local Bollywood fanatics Bombay Royale will also be there, though you can see them every Tuesday night in Feb at the Evelyn. They’re due to drop their debut LP You Me Bullets Love in April on Hope St and if their recent 45 Sote sote Adhi Raat is any indication it will be a cracker.

DJ Rupture is coming back to town for the first time since 2002, when he brutalised Kelis’ milkshake song with intense noise in an incredible free ranging mix that encompassed popular r&b, experimental noise, and Berber pop. Since then he’s uncovered entirely new genres, of sounds from faraway lands. His radio show on WFMU and blog Mudd Up is almost a community service, with clips of all manner of faraway sounds. A few years ago he formed Nettle and their new album El Resplendor is a reimagining of The Shining in a luxury hotel in Dubai. He’s playing at the Mercat on the 8th of March and if you’re into progressive mixes of blurred musical boundaries then Rupture is your man.


Whilst the Adelaide Festival is the only place you’ll see Italian soundtrack maestro Ennio Morricone in Australia this year, some of the lineup are making their way to Melbourne, including Jane Birkin singing Serge Gainsbourg (18th of March Recital Centre), and Neu! Guitarist Michael Rother (19th March Corner Hotel). Throbbing Gristle and Psychic TV luminary Genesis P-Orridge is hooking up with Stuart Grant (Primitive Calculators) to present and discuss THE BALLAD OF GENESIS AND LADY JAYE at ACMI on the 5th of March.  Whilst the brooding, explosive and often violent music he made over the last 30 odd years is innovative and challenging enough, it’s the art project in which he is the canvas, that is nothing short of mind blowing. In 2000 Genesis began a series of surgeries in order to more closely resemble Lady Jaye, his lover and artistic partner for nearly 15 years. “It was the ultimate act of devotion,” offers the press release,  ”He’ became a ‘she’ in a triumphant act of artistic expression. It is a project they called ‘Creating the Pandrogyne’, an attempt to deconstruct two individual identities through the creation of an indivisible third. The ultimate union.”

Local composer Anthony Pateras offers up his first soundtrack in early March, Errors of the Human Body (eMego), which sees him working with strings, brass, prepared piano, organs and electronics. As you’d expect this isn’t coming from your John Williams school of film composition, with many of Pateras’ experimental sounds, techniques and preoccupations finding their way into the work. In a world where every film score sounds the same, Errors of The Human Body Stands on its own. Filmed at the Max Planck Institute of Molecular Cell Biology and Genetics in Germany, the film apparently has something to do with isolation, questionable ethics and scientific intrigue, and it pushes Pateras into unexpected new directions, such as the strangest banging club track you could ever hope to hear. It’s a monster. Pateras is playing in PIVIXKI, his duo with Max Kohane (who has his own imminent release on Sensory Projects as Crumbs), alongside doom riffers Whitehorse, noise fanatic Marco Fusinato and a Madga Mayas and Tony Buck (The Necks) duo on 16th of Feb at the Gasometer Hotel in Collingwood.

Paul Kidney Experience are Melbourne’s noisiest wig out band. An improvised jam band, they delight in gradually building up to a throbbing crescendo of chaos and then holding it for far too long until the audience either have their fists in the air or down their throats. They’re joined on their new album by legendary German freejazz komische drummer Mani Neumeir (Guru Guru), and the results are a snarling mass of squealing noise. They’re launching this monstrosity at Bar Open on the 1st of March. Be alert but not alarmed.



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